Headlights on the Prairie
At the long-term care facility where Robert Rebein’s father lands after a horrific car crash, a shadow box hangs next to each room, its contents suggesting something of the occupant’s life. In Headlights on the Prairie, Rebein has created a literary shadow box of sorts, a book in which moments of singular grace and grit encapsulate a life and a world.
In the tradition of memoirs such as Tobias Wolff’s This Boy’s Life and Ivan Doig’s This House of Sky, these essays bring a storyteller’s gifts to life’s dramas, large and small. Following his award-winning turn on his hometown of Dodge City, Rebein takes us back to the high plains world where his family has farmed and ranched since the 1920s. It is a world populated by feedlot cowboys, stock-car drivers, and farm kids dreaming of basketball glory. Here too we find the darker tales of damaged young men returning from war, long-haul truckers addicted to crystal meth, and the sadly heroic residents of a small-town nursing home grandiloquently named Manor of the Plains.
Whether contemplating a fiery crash at a race track, coming to terms with an aging parent, or navigating the last days of a beloved family dog, Rebein offers a subtle, unsparing, often moving look at the moments that go into making a writer and a man. Seen in sharp detail, and recalled from a distance, his is a story of how a man can leave his home on the prairie—and yet never really get out of Dodge.
At the long-term care facility where Robert Rebein’s father lands after a horrific car crash, a shadow box hangs next to each room, its contents suggesting something of the occupant’s life. In Headlights on the Prairie, Rebein has created a literary shadow box of sorts, a book in which moments of singular grace and grit encapsulate a life and a world.
In the tradition of memoirs such as Tobias Wolff’s This Boy’s Life and Ivan Doig’s This House of Sky, these essays bring a storyteller’s gifts to life’s dramas, large and small. Following his award-winning turn on his hometown of Dodge City, Rebein takes us back to the high plains world where his family has farmed and ranched since the 1920s. It is a world populated by feedlot cowboys, stock-car drivers, and farm kids dreaming of basketball glory. Here too we find the darker tales of damaged young men returning from war, long-haul truckers addicted to crystal meth, and the sadly heroic residents of a small-town nursing home grandiloquently named Manor of the Plains.
Whether contemplating a fiery crash at a race track, coming to terms with an aging parent, or navigating the last days of a beloved family dog, Rebein offers a subtle, unsparing, often moving look at the moments that go into making a writer and a man. Seen in sharp detail, and recalled from a distance, his is a story of how a man can leave his home on the prairie—and yet never really get out of Dodge.
At the long-term care facility where Robert Rebein’s father lands after a horrific car crash, a shadow box hangs next to each room, its contents suggesting something of the occupant’s life. In Headlights on the Prairie, Rebein has created a literary shadow box of sorts, a book in which moments of singular grace and grit encapsulate a life and a world.
In the tradition of memoirs such as Tobias Wolff’s This Boy’s Life and Ivan Doig’s This House of Sky, these essays bring a storyteller’s gifts to life’s dramas, large and small. Following his award-winning turn on his hometown of Dodge City, Rebein takes us back to the high plains world where his family has farmed and ranched since the 1920s. It is a world populated by feedlot cowboys, stock-car drivers, and farm kids dreaming of basketball glory. Here too we find the darker tales of damaged young men returning from war, long-haul truckers addicted to crystal meth, and the sadly heroic residents of a small-town nursing home grandiloquently named Manor of the Plains.
Whether contemplating a fiery crash at a race track, coming to terms with an aging parent, or navigating the last days of a beloved family dog, Rebein offers a subtle, unsparing, often moving look at the moments that go into making a writer and a man. Seen in sharp detail, and recalled from a distance, his is a story of how a man can leave his home on the prairie—and yet never really get out of Dodge.
